9·88 Films | Ultra-Short Filmmaking Challenge

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Deadline: 9 April.

Influenced by the energy and intensity of the 100m sprint (a global event that captivates audiences in under 10 seconds.), 9·88 Films invites filmmakers of all levels of experience in Scotland, the UK, and across the Commonwealth to create films up to 10 seconds long, on any subject and using any form of moving image, and submit it online.

Three award winners, and a student winner, will be selected by an industry jury, to win great prizes and have their films showcased in Glasgow and beyond during the 2014 Commonwealth Games. Here are guidelines for submission of entries:

  • Entries must be no longer than 10 seconds.
  • All genres and forms of moving image are welcome.
  • Due to the online nature of 9.88 Films, the challenge is only open to entrants aged 18 and over.
  • Entries are invited from people living or born in a Commonwealth country.
  • Entry should be suitable for audiences of all ages.
  • Do not include a title card or credits. All shortlisted films will have a branded title and credits added at the start, based on your entry information.

Prizes include a Blackmagic Pocket Cinema Camera (a Super 16 digital film camera), DaVinci Resolve (an advanced colour grading software), GoPro Hero3+ cameras and Adobe Premiere Elements 12.0 (easy-to-use video editing software). For more details about the prizes go here.

All prize winners will be awarded pre-feature screenings in cinemas including Glasgow Film Theatre, Filmhouse, and Dundee Contemporary Arts, with support from Cinema Arts Network. They’ll also receive a 12 month Shooting People membership. Every film that makes the shortlist will be part of a series of screenings in the UK and further afield, including:

  • The opportunity to be showcased in Channel 4’s short form strand The Shooting Gallery*.
  • Festival 2014 screenings (a games time celebration as part of the official cultural programme for Glasgow 2014 Commonwealth Games)
  • Glasgow Merchant City Festival 2014
  • Exposure to an international audience through the British Council

* subject to editorial approval and clearance.

For tips and tricks to help you get started, watch 9.88 Films’ video hints. Such as this one:

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East Africa Sundance Institute Theatre Lab | Zanzibar

563050_10151659964608515_644199448_nUnder the supervision of Artistic Director Philip Himberg and Producing Director Christopher Hibma, the two-week exchange and development program (November 10-24) is part of the Sundance Institute East Africa initiative, now in its eleventh year, a professional program that creates peer to peer mentorship and exposure opportunities between theatre artists in East Africa and the U.S.  In the spirit of this exchange, Sundance Institute East Africa engages with East African artists in Africa as well as East African artists sharing their work in the U.S. Deborah Asiimwe, Specialist-East Africa, and Roberta Levitow, Senior Program Associate-International and Co-Founder, Theatre Without Borders, co-led this initiative.

While advancing the growth of individual artistic voices, they provide mentorship and professional development opportunities-recognizing and honoring the specific cultural, social, political, and artistic realities of East African life (unique to each country as well as to the continent) within both the design and the implementation of the Program. Sundance Institute East Africa is not a training program.

The primary goals of this exchange are to foster:

  • The growth of the American theatre artist and field through interactions in East Africa and with East African artists
  • The growth of the East African theatre artist and field through international exposure and exchange

 

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Sundance Institute have announced the artists and projects selected for its first Theatre Lab on Zanzibar, which have now concluded. Deborah Asiimwe, Specialist-East Africa, and Roberta Levitow, Senior Program Associate-International and Co-Founder, Theatre Without Borders, co-led this initiative.

Keri Putnam, Executive Director of Sundance Institute, said,

Our East Africa initiative is rooted in the understanding that exchange opportunities for independent artists, though rare, promote the inclusiveness and diversity of story that ultimately serves to advance the field of theatre.

Himberg said,

This is our third residency in the region. Two previous Labs were hosted on Manda Island, Kenya. Hosting our first Theatre Lab on Zanzibar, Tanzania, as part of our longstanding East Africa initiative allowed us to extend our unique and renowned model of creative support to artists in the region. We are grateful to our artists, both in East Africa and from the U.S., for contributing to an international conversation that enables us to better understand the role of the artist in our respective cultures.

The creative teams and projects participating in the Theatre Lab on Zanzibar were:

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Call for Submissions | DOCUBOX – The East African Documentary Film Fund

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DOCUBOX is a new East African documentary film fund that supports documentary filmmakers from  Kenya, Uganda and Tanzania with grants to complete their projects. They  also provide support and input from internationally acclaimed documentary filmmakers from the conceptual stage, right through to the production and post-production stages of our supported projects.

Submit your documentary film project and become a DOCUBOX member when you do.

The deadline for this year is October 1st 2013.

submit your applications here.

Applications for funding are currently only for projects being shot and produced within Kenya, by nationals from the specified regional countries. The films are supported in two stages:

  1. project development & trailer development
  2. production &  post-production

In the first part of the program, DOCUBOX will offer a maximum of 10 filmmakers the chance to develop their concept and make trailers, or shoot a short section of their film, supported by grants of $2,000. All participating filmmakers granted $2,000 to make these trailers and are not selected for further development by DOCUBOX, are free to use these trailers to pursue further funding or to develop the trailers into feature films, provided they credit DOCUBOX for the development grant assistance.

In the second stage of the program, a selection panel will choose the most promising projects from the completed trailers and support a maximum of 6 projects each receiving a maximum of $25,000 to complete production of their films.

 

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AfriGadget Are Hiring

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AfriGadget are in the process of setting up a network of video journalists from across Africa to produce stories, which will be made available on the website as well. As an AfriGadget TV-correspondent your job will be to explore your local surroundings to find and capture the innovators and their AfriGadgets. If you are a videographer willing to become a correspondent for this program, or if you know of great AfriGadgets that should be considered for inclusion, please send an email to afrigadget@gmail.com.

AfriGadget is graduating from the small screens of laptops and smart phones to the larger screens of broadcast television. The production company Made in Africa TV is taking AfriGadget to the East African airwaves to inspire millions of viewers to become active creators of new and ingenious products, themselves. Made in Africa TV is an East African social enterprise producing mass media with a social impact.

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Each episode of AfriGadget TV will consist of five thoughtful stories from around the region, highlighting remarkable and unexpected hardware innovations by East Africans. These stories are inspiring mini-documentaries, portraying young and old, men and women, as well as high and low-tech innovators and their products.

Made in Africa TV plans to produce AfriGadget as separate programs in Kenyan, Tanzanian and Ugandan television markets. A local presenter will host the program and introduce the correspondents and their stories. Combined, these stories offer a unique opportunity to discover a wide range of innovations, new products and different approaches to the same goal. The program will be broadcast on a weekly basis.

Erick Msumanje | My Mother’s Songs

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Language: Swahili with English subtitles.

My Mother’s Songs, is set in an African landscape that examines inter-generational trauma. The film depicts a collection of traumatic experiences through the eyes of several young women desperately trying to make sense of their existence. This theme is connected to Africa’s history of brutal colonialism, shattered dreams from independence, and chronic poverty. The second trailer is particularly harrowing as a child tells a story of a parent’s murderous rejection. Watch to the end.

Tanzanian writer and director Erick Msumanje was recently awarded the highly-competitive Princess Grace Award for filmmaking. Msumanje, positions his film making to “push the boundaries of cinematography, aesthetics, and storytelling.”

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Recent work includes The Journey which examines violence, fear and racism from the perspective of a little boy in search of something that could potentially change himself and those around him and a short documentary film titled The Devil’s House, which is about a mysterious young man who takes a journey clouded in blurred memory, displacement, and trauma.

Join writer and director Erick Msumanje for the first screening of My Mother’s Songs, at Hampshire College which will serve as his Division III (senior thesis) premiere.

APRIL 6, 2013, 7:00 PM
Hampshire College (Jerome Liebling Center for Film, Photography, and Video)

Bill Brand Screening Room (room 120)